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Escape: Point of No Return
Oil on canvas
92 x 92 cm
POA

First Quarter in Aquarius
Oil on canvas
92 x 100 cm
POA

We Shall Grow New Memories, 2006
Oil on canvas
92 x 92 cm
POA

Constant Companions
Oil on canvas
60 x 75 cm
POA

Secret Songs and Sacred Places: Shanghai
Oil on canvas
92 x 100 cm
POA

Just the Memory of a Tree
Oil on canvas
92 x 100 cm
POA

Once There was a Park
Oil on canvas
92 x 100 cm
POA

Mother and Child
Acrylic paint on unstretched canvas
30 x 50 cm approx.
POA

I Come from the Forest
Oil on canvas
122 x 122 cm
$8,000

Postcard from Paris
Oil on canvas
100 x 92 cm
$5,500

Ritual for Early Birds
Oil on canvas
122 x 122 cm
$8,000
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BIOGRAPHYKay Singleton Keller's latest works include a series of impressive new paintings - engaging works exploring loss, love and continuance. Kay has a sophisticated technique in a folkloric style. The narrative of this exhibition centres on Kay's interest in an immigrant woman aged 18 who fled communist Russia in the summer of 1932.
These are the words of Kay Singleton Keller:
"A body of paintings should speak for itself, engaging the viewer through its visual language. However it is sometimes interesting to know what lies behind the images, the stories that may inspire the finished work.
In this instance, it was a story told to me, of a young Russian woman who left her home and family in 1932, at the age of 18, to escape the communist regime.
She and her friend engaged a Chinese guide, travelling along the river in a row-boat headed for China. They travelled by the dark of night and slowly, not to disturb the surface of the water, disguising themselves and the boat with branches and leaves. By day they and the boat remained hidden on islands in the river.
When they eventually reached the Chinese side of the River Amur, the young woman heard, wafting over the surface of the water, the voices of the Russian border guards singing Russian folk songs. That was her moment of epiphany. From here she knew there was no going back.
In Shanghai she met and married her Russian husband, and together they survived the Second World War. But they and their 2 young sons were again forced to flee communism, and as refugees once more, they travelled to Australia in 1953.This woman, now 91, still lives in Sydney's sprawling suburbs, in her own home, surrounded by family. I have never met her but her story has inspired me and continues to do so. In her I sense the flame of the indomitable female spirit."
The paintings and pastel drawings in this exhibition are vibrant and powerful, each picture demands attention. The viewer can not simply walk past without stopping to take in the scenes before them.
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| | Born
& educated in Sydney |
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1960-1970
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Part-time
Studies, East Sydney Technical College & Sydney University |
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1992
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East Sydney
Technical College, Dip. Fine Arts & Printmaking |
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| Solo
Exhibitions |
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1990
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Nino Tucci
Gallery, Gold Coast, Queensland |
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1991
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Jabiru Gallery,
Sanctuary Cove, Queensland |
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1994
:
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Michael
Nagy Fine Art |
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1996
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Michael
Nagy Fine Art |
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1997
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Art Galleries
Schubert, Main Beach Queensland |
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1997
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Adelaide
Central Gallery, Adelaide |
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1998
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Michael
Nagy Fine Art |
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1999
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Art Galleries
Schubert, Main Beach Queensland |
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1999
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Alliance
Francais de Sydney |
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2000
:
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Michael
Nagy Fine Art |
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2002
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Michael
Nagy Fine Art |
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2003
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Schubert Galleries, Main Beach Queensland |
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2004
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Michael Nagy Fine Art |
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2006
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Michael Nagy Fine Art |
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| Group
Exhibitions |
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1989
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Salon International
du Pastel, Compiegne, France |
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1996
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Australian
Contemporary Art Fair, Melbourne |
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1996
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Australian
in London, Mall Galleries, London |
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1998
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Toowoomba
Regional Art Award, QLD |
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1998
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Australian
Contemporary Art Fair, Melbourne |
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1999
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International
Works on Paper Fair, Sydney |
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1999
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Portia Geach
Memorial Award exhibition, Sydney |
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2000
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Sydney Scene
I: Olympics Art Festival, Michael Nagy Fine Art |
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2000
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Sydney Seen
II: Olympics Art Festival, Michael Nagy Fine Art |
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2000
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Melbourne
ArtFair 2000, Royal Exhibition Hall, Melbourne |
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2000
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Blake Religious
Art Prize, S.H. Ervin, Sydney |
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2001
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International
Works on Paper Fair, Fox Studios, Sydney |
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2002
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Fire!
Bushfire Relief Appeal, Michael Nagy Fine Art |
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| Publications |
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1991
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Max Germaine,
Dictionary of Australian Women Artists |
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1995
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Who's Who
of Australian Visual Artists. |
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1996
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Unseen Art
Scene: 32 Australian Women Artists, Irrepressible Press |
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1996
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Craft Arts
International, no 26, page 96, Review written by Robin Robertson,
art writer for the Financial Review. |
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1996
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Craft Art
International, No 41, pp. 49-52, The Journey & the Family Tree,
biographical article written by Gordon Foulds, freelance arts writer. |
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| Art
Work Reproduced in 4 Books of Poetry. |
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1991
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Ashes of
Roses & Spindrift, Coralie Hinkley, Aerri Books. |
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1993
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Through
a Window, Coralie Hinkley, Aerri Books. |
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1994
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The Sky
is Falling, Coralie Hinkley, Aerri Books. |
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1997
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In Transit:
Dance & Poetic Images, Coralie Hinkley, Aerri Books. |
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| Art
Work Used As Cover Images. |
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1999
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Hecate,
Journal of Women's Writing, Vol.XXV no.i |
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1999
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Australian
Women's Book Review, October |
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2001
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Hecate,
Journal of Women's Writing, Vol XXVII no.ii |
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