Kay Singleton Keller
   



Escape: Point of No Return
Oil on canvas
92 x 92 cm
POA




First Quarter in Aquarius
Oil on canvas
92 x 100 cm
POA




We Shall Grow New Memories, 2006
Oil on canvas
92 x 92 cm
POA




Constant Companions
Oil on canvas
60 x 75 cm
POA




Secret Songs and Sacred Places: Shanghai
Oil on canvas
92 x 100 cm
POA




Just the Memory of a Tree
Oil on canvas
92 x 100 cm
POA




Once There was a Park
Oil on canvas
92 x 100 cm
POA




Mother and Child
Acrylic paint on unstretched canvas
30 x 50 cm approx.
POA




I Come from the Forest
Oil on canvas
122 x 122 cm
$8,000



Postcard from Paris
Oil on canvas
100 x 92 cm
$5,500



Ritual for Early Birds
Oil on canvas
122 x 122 cm
$8,000

      

BIOGRAPHY

Kay Singleton Keller's latest works include a series of impressive new paintings - engaging works exploring loss, love and continuance. Kay has a sophisticated technique in a folkloric style. The narrative of this exhibition centres on Kay's interest in an immigrant woman aged 18 who fled communist Russia in the summer of 1932.

These are the words of Kay Singleton Keller:

"A body of paintings should speak for itself, engaging the viewer through its visual language. However it is sometimes interesting to know what lies behind the images, the stories that may inspire the finished work. In this instance, it was a story told to me, of a young Russian woman who left her home and family in 1932, at the age of 18, to escape the communist regime.

She and her friend engaged a Chinese guide, travelling along the river in a row-boat headed for China. They travelled by the dark of night and slowly, not to disturb the surface of the water, disguising themselves and the boat with branches and leaves. By day they and the boat remained hidden on islands in the river.

When they eventually reached the Chinese side of the River Amur, the young woman heard, wafting over the surface of the water, the voices of the Russian border guards singing Russian folk songs. That was her moment of epiphany. From here she knew there was no going back.

In Shanghai she met and married her Russian husband, and together they survived the Second World War. But they and their 2 young sons were again forced to flee communism, and as refugees once more, they travelled to Australia in 1953.This woman, now 91, still lives in Sydney's sprawling suburbs, in her own home, surrounded by family. I have never met her but her story has inspired me and continues to do so. In her I sense the flame of the indomitable female spirit."

The paintings and pastel drawings in this exhibition are vibrant and powerful, each picture demands attention. The viewer can not simply walk past without stopping to take in the scenes before them.


Born & educated in Sydney
1960-1970 :
Part-time Studies, East Sydney Technical College & Sydney University
1992 :
East Sydney Technical College, Dip. Fine Arts & Printmaking
   
Solo Exhibitions
1990 :
Nino Tucci Gallery, Gold Coast, Queensland
1991 :
Jabiru Gallery, Sanctuary Cove, Queensland
1994 :
Michael Nagy Fine Art
1996 :
Michael Nagy Fine Art
1997 :
Art Galleries Schubert, Main Beach Queensland
1997 :
Adelaide Central Gallery, Adelaide
1998 :
Michael Nagy Fine Art
1999 :
Art Galleries Schubert, Main Beach Queensland
1999 :
Alliance Francais de Sydney
2000 :
Michael Nagy Fine Art
2002 :
Michael Nagy Fine Art
2003 :
Schubert Galleries, Main Beach Queensland
2004 :
Michael Nagy Fine Art
2006 :
Michael Nagy Fine Art
   
Group Exhibitions
1989 :
Salon International du Pastel, Compiegne, France
1996 :
Australian Contemporary Art Fair, Melbourne
1996 :
Australian in London, Mall Galleries, London
1998 :
Toowoomba Regional Art Award, QLD
1998 :
Australian Contemporary Art Fair, Melbourne
1999 :
International Works on Paper Fair, Sydney
1999 :
Portia Geach Memorial Award exhibition, Sydney
2000 :
Sydney Scene I: Olympics Art Festival, Michael Nagy Fine Art
2000 :
Sydney Seen II: Olympics Art Festival, Michael Nagy Fine Art
2000 :
Melbourne ArtFair 2000, Royal Exhibition Hall, Melbourne
2000 :
Blake Religious Art Prize, S.H. Ervin, Sydney
2001 :
International Works on Paper Fair, Fox Studios, Sydney
2002 :
Fire! Bushfire Relief Appeal, Michael Nagy Fine Art
   
Publications
1991 :
Max Germaine, Dictionary of Australian Women Artists
1995 :
Who's Who of Australian Visual Artists.
1996 :
Unseen Art Scene: 32 Australian Women Artists, Irrepressible Press
1996 :
Craft Arts International, no 26, page 96, Review written by Robin Robertson, art writer for the Financial Review.
1996 :
Craft Art International, No 41, pp. 49-52, The Journey & the Family Tree, biographical article written by Gordon Foulds, freelance arts writer.
   
Art Work Reproduced in 4 Books of Poetry.
1991 :
Ashes of Roses & Spindrift, Coralie Hinkley, Aerri Books.
1993 :
Through a Window, Coralie Hinkley, Aerri Books.
1994 :
The Sky is Falling, Coralie Hinkley, Aerri Books.
1997 :
In Transit: Dance & Poetic Images, Coralie Hinkley, Aerri Books.
   
Art Work Used As Cover Images.
1999 :
Hecate, Journal of Women's Writing, Vol.XXV no.i
1999 :
Australian Women's Book Review, October
2001 :
Hecate, Journal of Women's Writing, Vol XXVII no.ii