Sydney artist and medico Adam Rish, well known for his 'world art' collaborations, has a new exhibition, “Ethnographica”, at Michael Nagy.
On show are life-size wooden sculptures made in collaboration with I Wayan Sumantra in Jungjungan, Bali.
The exhibition is based upon traditional carving from Southeast Asia and, more specifically, tau-tau spirit figures from Sulawesi and horse sculptures from West Timor.
Rish has anamorphosed these images with his contemporary domestic iconography: In “My Kingdom for a Horse” the horse is riding backwards on the back of a blind king. “Totem”, based upon an Asmat house pole, shows a stack of cars, phones, houses and soldiers surmounted by winged AK47s and a little king. “Noah” has a man in a suit walking his boat over dry land while “Banci” shows a two headed hermaphrodite. “Etiket/Etiquette” is a glass coffee table supported by a kneeling figure with a carrot in his rectum. “Bidadari Jatuh/Fallen Angel” has a dunce capped angel in the corner on his mobile phone.
Also included in the show are the original sculpture designs on Tongan tapa cloth.
Traditionally tau-tau sculptures were used in ceremonial burials to represent the deceased in the after-life.
Rish says he doubts many of his collectors will be doing this with these pieces but, in our super-functional society, is sure they will make very fine garden furniture.
The exhibition runs from 29 November until 15 December